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Washington Informer James Tillman Sr., catcher with the Homestead Grays of Washington D.C., signs a program from the exhibit on baseball at the Smithsonian Anacostia Community Museum. Tillman was one of 16 Negro Baseball League players present at the exhibit. Photo by Roy Lewis

The exhibition, titled “Jubilee: African American Celebration” at the Smithsonian Anacostia Community Museum (ACM), consists of priceless artifacts, documents, books, music, video, interviews, costumes, photographs and rare paintings by prominent artists as well as innovative installations from the 19th century and modern-day times.

“It reveals some celebrations that are no longer observed, some that are unique to specific regions, some that are specifically African American in scope, and others that incorporate a distinctive African American approach to traditional holidays observed by most Americans,” Director Camille Diraud Akeju said.

The exhibit revealed facts like the first Black festival and tradition to take place in the U.S. was “Johnkankus” or “Christmas Masquerade” originated along the West Coast of Africa by slaves was named after King John Conny or King John Canoe (different spelling origins) a legendary African chieftain.

Thursday, 11 December 2008 00:00
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Washington Informer “Michelle: A Biography” by Liza Mundy
c.2008, Simon & Schuster
$25.00 / $28.99
217 pages, includes notes
By Terri Schlichenmeyer
Courtesy Photo

They say that behind every great man is a woman who’s willing to give him a goose in the posterior when he needs it most.

Marc Antony had his Cleopatra. Henry VIII had his Catherine, Kathryn, Katherine, two Annes and a Jane. Harry would have been lost without Bess. Martin had his Coretta.
And Barack has Michelle.

By now, we know a lot about our future leader, but what do we know about the woman behind the office? You’ll find out when you read “Michelle” by Liza Mundy.

To truly know Michelle Robinson Obama, Mundy said, you need to understand where she came from. Born in a then-segregated area on the South Side of Chicago in 1964, Michelle Robinson was the second child of parents who raised her to be independent and strong-minded.

As a teen, Michelle attended a magnet school with other high-achievers, including the daughter of Jesse Jackson, Sr. Because the Robinsons encouraged their children to get the best education, Michelle chose Princeton, then went to Harvard and set her sights on becoming a lawyer.

Michelle’s family claims that she was always hard on her suitors. When she brought Barack Obama home for the first time, her brother Craig said, “I was thinking, ‘Nice guy. Too bad he won’t last.’” But last Obama did. They were married in 1992.

Thursday, 04 December 2008 00:00
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Washington Informer Opera singer Denyce Graves Courtesy Photo

“Sophisticated Lady - An Evening with Denyce Graves” will feature the critically acclaimed vocalist and Duke Ellington School of the Arts alumna in a benefit recital on Feb. 25 at the Kennedy Center that will include classical music, pop, Americana, spirituals and jazz.

A benefit for the Washington-based performing arts high school, Graves is a D.C. native who is one of the opera world’s brightest stars. She rose to stardom after being raised by a single parent near the Blue Plains sewage plant in Southeast D.C. A graduate of Oberlin College Conservatory of Music and the New England Conservatory, Graves has performed in some of the world’s most renowned opera houses. Tickets for the singer’s home-town performance went on sale Dec. 10 at the Kennedy Center box office and are expected to sell out quickly.

Thursday, 18 December 2008 00:00
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Washington Informer Chuck Brown clasped his hands with joy and humiliation as District Mayor Adrian Fenty held Brown’s Lifetime Achievement Award high in the air for the crowd to see. The crowd applauded Brown continuously and screamed popular lines from his song. Photo by Khalid Naji-Allah

Over 3,000 people came to the Third Annual Go-Go awards to witness the entrance of iconic figure Chuck Brown, know as “The Godfather” of Go-Go, and Rare Essence into the Go-Go Hall of Fame. The awards were held on Sun., Dec. 14. Though the building has not been constructed,

“We never had anybody to take the music into the right direction. And everybody has always been about money and about themselves. It takes a strong person to pull selfish people together,” said Moton.

Brown is credited as being the man who started it all. During the early 70’s, Brown and the Soul Searchers were respected as one of the top bands in D.C.’s live music scene. Their single, “Ashley’s Roach Clip,” contains a distinct beat sampled by hip-hop group Eric B. and Rakim. In 1978, Brown hit it big with a single that would become a funk classic “Bustin’ Loose.”

Wednesday, 24 December 2008 16:13
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Washington Informer Actress Yolonda Williams. Courtesy Photo
For many actresses, aging can be detrimental when auditioning for a plum stage role, and in Menopause the Musical, actress Yolonda Williams had to audition more than once for the part of her character, Professional Woman, which she plays through May 10th at the Bethesda Theatre.

Williams, who will be 45 in July, said recently, “I tried out for the part several times before, but they kept telling me I looked too young to be going through menopause. I still don’t look my age, but in these economic times, I will throw on a wig and look older if I need to,” she laughed.

A native of Texas, Williams plays an overachieving executive in the hit musical, which is about four women who meet in a department store and bond over their collective experience of menopause, and its accompanying hot flashes, night sweats and mood swings.

Jeanie Linders, author of the musical, said she wrote it to empower women. “It [menopause] launches them [women] into a new phase of their life, and when they are [in the] theater shouting ‘That’s me!’, then they know that what they are experiencing is normal,” Linders said.

“I resonate with my character, because in my younger life I was somewhat like that [her character, the Professional Woman],” Williams said. Williams said her aggressiveness has paid off as she becomes a more seasoned actress. “These days it’s hard to find someone over 40 who can act, dance and sing,” Williams said.
Friday, 17 April 2009 01:32
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Washington Informer David “Popo” Winans Sr. died at the age of 74 on Wed., Apr. 8 from complications from a heart attack and stroke. Courtesy Photo
David "Pop" Winans Sr., the Grammy-nominated patriarch of the award-winning gospel music family, died Wed., Apr. 8 at the age of 74. A statement from a Los Angeles public relations company representing the family said he died at a Nashville hospice, where he had been since January after suffering a heart attack and stroke last October.

In 1999, Winans was nominated for a Grammy for his solo CD "Uncensored." He and his wife Delores, known as Mom Winans, were nominated for their CD "Mom & Pop Winans" in 1989. She was at his bedside when he died, the statement said.

He was the father of BeBe and CeCe Winans, known for their hit "Addictive Love.” Four other children — Michael, Marvin, Carvin and Ronald — performed as The Winans, recording such songs as "Ain't No Need to Worry" featuring Anita Baker and “It’s Time.”
Thursday, 16 April 2009 21:24
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When visiting “the other Georgetown” Adams Morgan, check out this chic, sophisticated first-class restaurant/lounge that transports you to Beverly Hills. Evolve is the hottest in place to be seen and heard for the cool and the beautiful, since opening on New Year’s Eve 2008. Innovative restaurateurs Patrick Moore and Mahiri Jones, both 34, and Jason Washington, 32, opened up a two-level space, formerly Pharaoh Rock and Blues in Adams Morgan are considered dining power brokers. These Washingtonian and Marylander men have done their homework.

“We are pacing ourselves in all aspects, like the name states, we evolve,” Moore said. They hired executive chef Earnest Datcher who mastered his culinary gifts at 1789 and Old Ebbit Grill.

Creating top-notch dishes for 18-years, he has the freedom to create an evolution of spices marrying flavors.
Friday, 17 April 2009 02:14
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Washington Informer Walter Dallas Courtesy Photo
Walter Dallas will make his Washington, DC directing debut with the African Continuum Theatre’s presentation of Tanya Barfield’s play “Blue Door” at the Atlas Performing Arts Center, April 16th. Originally from Atlanta Ga., he is a graduate of Morehouse College and the Yale School of Drama. Dallas studied music and theology at Harvard University, and traditional theatre and dance at the University of Ghana.

In 2002 he was awarded an honorary Doctor of Fine Arts degree from the University of the Arts in Philadelphia, PA. Dallas is currently in the midst of a five-year tenure as Senior Artist-in-Residence in the Theatre Department of the University of Maryland, College Park, where he was recently named Co-Director of the University’s MFA in Performance Program, slated to debut in the fall of 2010.

He has worked on plays on and off Broadway, in England, Africa, France, and Russia. The list of theatre groups he’s been involved with includes the Negro Ensemble Company, American Place, Public Theatre, Yale Rep, Proposition Theatre, Philadelphia Drama Guild, The Alliance and Baltimore’s Center Stage, where he was a Director Fellow for the National Endowment for the Arts. Highly respected by the late playwright August Wilson, Dallas was asked by Wilson and Lloyd Richards to direct the world premiere of Wilson’s “Seven Guitars” at the Goodman Theatre in Chicago. Dallas talked to the Washington Informer about his work and the play “Blue Door.”
Thursday, 16 April 2009 22:37
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Open April 16-18
Since 1990, the James A. Porter Colloquium held at the Armour J. Blackburn Center on the campus of Howard University has provided a forum for in-depth analysis, discussion and critique of African American Art. Started by art historian Dr. Floyd Coleman, the Porter Colloquium is the premier academic setting for innovative perspectives from leading and emerging scholars, artists and cultural critics.
Monday, 13 April 2009 14:43
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Washington Informer Jessica Frances Dukes and Jenna Sokolowski Courtesy Photo
Part mystery and part Hollywood romance, “Antebellum” now showing at the Woolly Mammoth Theatre, is Robert O’Hara’s stylish new play that bridges time, space, religion and race to track a love affair that defies history’s harshest cruelties. The setting takes plane in 1939 in Germany, where Hitler’s death camps flourish; and in Atlanta, where the film “Gone with the Wind” is premiering.

Ambitious both in its style (inspired by the big Hollywood epics of the period) and its content (a sexual mystery crossing boundaries of race and gender), “Antebellum” is the work of a passionate artist who reaches for big ideas and big emotions,” according to Artistic Director Howard Shalwitz. O’hara “always leaves his audience with much to ponder and debate,” Schalwitz said.
Thursday, 09 April 2009 17:20
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