JACKSON: Do We Perpetuate Black Stereotypes?
Raynard Jackson | 8/20/2014, 3 p.m.
Many African-Americans feel like there has been an unofficial war declared on Blacks, especially young Black males. Just in the past month, Eric Garner of Staten Island, New York, Ezell Ford of Los Angeles, California and, most recently, Michael Brown of Ferguson, Missouri – all unarmed, young, Black and male – lost their lives in police-related murders.
In each instance, there were credible witnesses or video recordings that recounted events very differently from the official police version. Based on what we’ve heard so far, I think all the policemen involved in these unjustified deaths should be convicted of murder and sent to jail.
As abhorrent as these actions were, they should spark a larger, separate conversation about the images that we have created around Black life and Black culture. Let’s be clear, there is no justification for killing those young Black men.
But, let’s be equally clear and courageous enough to take another look at what we are contributing to the misperceptions and stereotypes of us as a race.
For the past 30 years, we have created images of Blacks in the most negative of lights. For those who say, “It’s just music.” “It’s just a movie.” “It’s just a reality TV show.” I say now there is just another Black body lying in the streets of America.
Before you go to war, the first thing that is needed is to create a psychological operations campaign (PSYOP). This is a tactic the military uses to marginalize its targeted population so that when troops are sent in to destroy this group, there is no public outcry.
Just look at how the U.S. military vilified and demonized former Iraqi president Saddam Hussein and terrorist Osama Bin Laden before they set out to kill them. Upon their deaths at the hands of the U.S. military, the American people cheered because we had devalued and marginalized them before the American people.
I can’t help but ask the Black community, have we unleashed a PSYOP campaign on our own people?
In the horror movie series "Frankenstein," Dr. Frankenstein did not set out to create a monster; but rather he was a scientist playing around in his laboratory. As a result of this experimentation, he created a monster that neither he nor society could control.
In a similar manner, one could argue that Blacks, specifically in Hip-Hop, have experimented in the laboratory called a recording studio; and by exercising their First Amendment Right of freedom of speech and expression through music, they have created their own version of Frankenstein.
In the beginning, like with Frankenstein, people marveled at this new creation and were willing to pay to see and hear the voices of “Rappers Delight,” “The Message,” and “Fight the Power.” Then, the imagery and lyrics took a twisted turn under a perverted interpretation of the First Amendment called “keeping it real.”
Now, the establishment, especially the police, has become the enemy. Hip-Hop became a counter-culture movement that turned into a monster that could no longer be controlled. Women became “bitches and hoes,” men became hyper-sexualized thugs who were only out to force themselves on your daughters and to “get rich or die trying.”