Two evenings of praise for Richard Smallwood and his music filled the Concert Hall at the Kennedy Center as the nation also celebrated Juneteenth.
“A Gospel Symphony Celebration Tribute to Richard Smallwood at 75” was presented by the National Symphony Orchestra (NSO) and conducted by Grammy Award-winning producer, composer, and arranger Dr. Henry Panion III on June 18-19. Top gospel artists Dorinda Clark-Cole, Maurette Brown Clark, and Bishop Marvin Winans sang exceptional interpretations of Smallwood’s compositions. They were backed by Smallwood’s vocal ensemble Vision, the Howard University Gospel Choir, and the Bowie State University Choir.
Opening with an instrumental prelude, everyone in the Concert Hall stood as Panion led the orchestra and singers in an uplifting rendition of the “Lift Every Voice.”
Those who love Smallwood’s approach to faith music love his blend of gospel surrounded by classical orchestrations and performed with strong vocal arrangements. Enough space is left with each verse to allow soloists to go above and below the notes, extending when necessary. The focus must be on staying mindful of the message through the lyrics.
In the first half of the tribute, “The Question Is”(a 1981 song sung by The Winans) and Smallwood’s “Center of My Joy” (1987). After intermission, he spoke about his favorite Smallwood song, “Trust Me” (2011).
“Back in the 80s, whenever we would go on the road with Richard Smallwood, we always knew it would be a good one,” said Winans, praising the honoree. “I really don’t know how this one became my favorite.”
Brown Clark sang “It Ain’t Over” (2006), and Clark-Cole sang “Bless the Lord” (1996). Vision ensemble members Charrisse Nelson and Vanessa Williams performed “Psalm 8” (1984) and “I Love the Lord” (1976), respectively.
Smallwood’s “Total Praise” (1996) considered an anthem, was sung by all choirs, Vision and the soloists.
At the end of the evening, everyone in Concert Hall showed their gratitude by applauding, standing and looking toward the box seat where Smallwood was sitting – a fitting conclusion after outstanding performances honoring the legendary singer and composer.